Schola Cantorum Basiliensis

Dr. Agnese Pavanello

Forschung und Entwicklung
Musikgeschichte Renaissance-Barock

Agnese Pavanello studied Musicology at the universities of Pavia, Regensburg, Freiburg im Br., and Basel, and at the University of Fribourg, where she was awarded a PhD in musicology. After working as a musicological assistant at the Universities of Salzburg and Wien (Universität für Musik und Darstellende Kunst) and publishing articles, editions of instrumental music (Corelli, Tartini, Locatelli, Bonporti) and a book about Roman ‚concerti grossi’, she has been a member of staff for The Gaspar van Weerbeke Edition and editor of Gaspar van Weerbeke’s mass and motets. Since 2012 she is working in the Research Department of the Schola Cantorum Basiliensis in Basel (Musik-Akademia Basel / Fachhochschule Nordwestschweiz) with teaching and research assignements. She is actually heading of the 3-year-SNF-Project Motet Cycles in the Late Fifteenth/Early Sixteenth-Century: Function, Performance, and Compositional Design in the Context of Musico-Liturgical and Devotional Practices.

Dr. Agnese Pavanello

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